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Learn How to Pronounce Liv Ullmann | YouPronounce.it

How to Pronounce Liv Ullmann

Quick Answer: In Norwegian, the name Liv Ullmann is pronounced [ˈliːv ˈʉlman].
(Listen to the audio below for the stress and intonation)

Meaning and Context

Liv Ullmann, born in Tokyo in 1938 and raised in Norway, is a preeminent figure in Scandinavian and world cinema, celebrated for her profound and emotionally resonant performances. Her international acclaim is inextricably linked to her legendary collaboration with Swedish auteur Ingmar Bergman, a partnership that yielded some of the most seminal works of Swedish cinema, including the psychologically intense "Persona" (1966) and the raw, intimate "Scenes from a Marriage" (1973). Ullmann's career, however, extends far beyond her work with Bergman; she is a revered Norwegian actress, an accomplished film director, a dedicated humanitarian, and a respected UNICEF Goodwill Ambassador. Her contributions to Norwegian film, both in front of and behind the camera, alongside her acclaimed international stage work and memoirs, have cemented her status as a cultural icon and a master of exploring complex human relationships on screen.

Common Mistakes and Alternative Spellings

The name "Liv Ullmann" follows standard Norwegian orthography, but several common misspellings and typographical errors occur, particularly in international contexts. The most frequent error is the misspelling of her first name as "Liv" with a single 'v'—"Liv Ullmann"—which is incorrect; the correct Norwegian spelling is "Liv" with two 'v's. Her surname is often subject to variations such as "Ullman" (dropping one 'n') or "Ulmann" (dropping one 'l'). Occasionally, the umlaut is misplaced or omitted, leading to erroneous forms like "Ullmann." It is also worth noting that in some older English-language publications, her name might be stylized without the Scandinavian double consonants, but the accepted and correct spelling for encyclopedic reference remains Liv Ullmann.

Example Sentences

Liv Ullmann's haunting performance in Persona remains a benchmark for cinematic exploration of identity and psyche.

Following her success in Swedish cinema, she continued to champion Norwegian film, both as an actress and later as a director.

Film scholars often cite her collaborations with Ingmar Bergman as a defining chapter in the history of European art house cinema.

In her autobiography, Changing, Ullmann reflects with remarkable candor on her artistic journey and personal life.

The Norwegian government honored her enduring cultural impact by appointing her a commander of the Royal Norwegian Order of St.

Olav.

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