How to Pronounce Jean Paul Marat

Meaning and Context

Jean-Paul Marat, a pivotal and incendiary figure of the French Revolution, was a radical journalist, politician, and relentless voice for the sans-culottes. Born in 1743, he gained immense notoriety through his newspaper, L'Ami du Peuple ("The Friend of the People"), in which he published vehement denunciations of the Revolution's moderate factions, advocating for direct democracy, price controls, and the use of revolutionary violence against perceived enemies. His fiery rhetoric and uncompromising stance made him a hero to the Parisian working class and a central member of the radical Jacobin faction, alongside figures like Maximilien Robespierre. Marat's assassination by Charlotte Corday on July 13, 1793, immortalized him as a revolutionary martyr; Jacques-Louis David's iconic painting, The Death of Marat, powerfully transformed his death into a potent symbol of sacrifice for the Republic. His legacy endures as a complex embodiment of revolutionary zeal, populist agitation, and the potent, often dangerous, role of media in political upheaval.

Common Mistakes and Alternative Spellings

The standard and correct spelling is Jean-Paul Marat, with a hyphen between his first names and a single 'r' in Marat. Common misspellings and variations arise from phonetic guesses or conflation with other names. Frequent errors include "Jean Paul Marat" (omitting the hyphen), "Jean-Pierre Marat" (incorrectly substituting 'Pierre' for 'Paul'), and "Jean-Paul Marrat" (adding an extra 'r'). His surname is also occasionally misspelled as "Mara" or "Maratt." In historical texts, one might encounter the Anglicized "John Paul Marat," though this is rare. Ensuring the correct hyphenation and single 'r' is crucial for academic accuracy and effective information retrieval when researching this key figure of the French Revolution.

Example Sentences

The radical journalist Jean-Paul Marat used his newspaper, L'Ami du Peuple, to relentlessly attack the Girondins as enemies of the Revolution.

Historians often debate whether Marat's calls for violent purges were a cause or a symptom of the Revolution's increasing radicalization in 1793.

Charlotte Corday gained entry to Marat's apartment by promising to provide a list of counter-revolutionaries, only to assassinate him while he was in his medicinal bath.

Jacques-Louis David's neoclassical masterpiece, The Death of Marat, deliberately portrayed the fallen revolutionary with the solemnity of a Christian martyr to serve as political propaganda.

Despite his fervent popularity among the sans-culottes, Marat's uncompromising and severe ideology made him a deeply controversial figure even among his contemporaries.

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